About

Biography of Peter R. Beltran

My Vision

“My mission—as an artist, teacher, mentor and friend—is to pass along my knowledge, experience and passion for music to the young, particularly the most disadvantaged, and to make the world a better place by what I do.”

Welcome to my website and time capsule and thank you for visiting. I hope you will enjoy reading about my life and listening to the music I have been privileged to be part of.

About

Native Los Angeles-area musician Peter Renard (“Pete”) Beltran is a uniquely talented, highly accomplished and versatile bass and tenor trombonist, skilled in a wide variety of musical genres from R&B, Commercial, Latin, and Jazz, to Classical. He studied principally with renowned studio trombonist and teacher Roy G. Main, Bill Tole and, most recently, with recording artist and Grammy-winning Clare Fisher band member Jacques Voyemant. In his youth, Peter was a fixture of the studio jazz scenes at LA Valley, East Los Angeles, and LA City Colleges in the early 70’s, and at Cal State LA beginning in 1976, and then again as a return student in 2017.

First venturing on the road at the tender age of 19, Pete toured the Pacific Northwest in 1974 with an L.A.-based-R&B band, and in Canada in ’75. Soon, he would fulfill his dream of playing with the “name” big bands, when he first landed the bass trombone chair with the Harry James Orchestra in 1977, then went on to join the Buddy Rich Big Band (1979-82), and the Ray Charles Orchestra (1991-94)—having the tremendous privilege of playing with these bands while their leaders and namesakes were still touring.

A Life of Notes: Journey Through Jazz and Second Chances

Peter Renard (“Pete”) Beltran is a versatile and highly accomplished tenor and bass trombonist from the Los Angeles area, skilled in genres ranging from R&B and Commercial to Latin, Jazz, and Classical. He studied with esteemed musicians including Roy G. Main and Jacques Voyemant. His professional career began at age 19, touring the Pacific Northwest and Canada. He fulfilled a major ambition by playing with “name” big bands, holding the bass trombone chair with the Harry James Orchestra (1977), the Buddy Rich Big Band (1979-82), and the Ray Charles Orchestra (1991-94), all while the legendary leaders were still touring. He also toured as a Columbia Artist and internationally with the Glenn Miller Orchestra. A nine-year member of the Bill Holman Orchestra, he recorded on Grammy-nominated albums and was one of only two bass trombonists selected by Holman to record on Natalie Cole’s multi-platinum album, Unforgettable.

My performance credits include backing or recording with legends such as Frank Sinatra, Tony Bennett, Mel Torme, Nancy Wilson, and Peggy Lee. I’ve appeared in film and on television shows like The Tonight Show with Jay Leno and The Merv Griffin Show, and my pit orchestra experience includes a national tour of The Pirates of Penzance and appearances in the Broadway smash-hit Cats. As a classical artist, I have performed demanding pieces such as Stravinsky’s The Rite of Spring. I have been fortunate enough to play at venerable venues around the globe, including Carnegie Hall, the Vienna Opera House, and Royal Festival Hall, and appeared at major international jazz festivals. In 1995, I took a necessary break from music to serve as a Salesian Missionary Volunteer for a year, working with low-income and farm worker children in Watsonville, CA, which was a transformative and profoundly rewarding experience. Now, at 64, I am resuming my BA degree in music at California State University Los Angeles with the goal of joining the faculty.

Lastly, I want to emphasize that you must stay away from drugs and alcohol. They poison the mind and body and rob you of life. If you think you have a problem, please seek help. I wish I had sought help sooner because, if I had, there’s no telling what I could have accomplished. But, as they say, “better late than never.” With nearly 18 years of sobriety and many more without marijuana, I have a new lease on life and see a bright future filled with opportunity and meaning.

Where I've Performed

Mr. Beltran has toured as a Columbia Artist with Mel Torme, Jerry Lewis, and The McGuire Sisters, and internationally with the West Coast franchise of the Glenn Miller Orchestra from 2010 to 2012. In Los Angeles, Pete was a member of the Bill Holman Orchestra for nine years (1983-91), recording numerous albums with the band which include Jazz Grammy-nominated The Bill Holman Band, and Strollin’Satin Nights, and Collaboration albums with pianist, vibraphonist, and jazz instructor par excellence Charlie Shoemake. In addition, Pete was selected by Mr. Holman to record some of his master arrangements for Natalie Cole on Unforgettable, her loving tribute to her father, the great Nat King Cole, thereby distinguishing Peter as one of only two bass trombonists—along with some 150 other artists— as among the finest musicians in Los Angeles.

Pete has backed, or recorded with, such artists as Frank Sinatra, Tony Bennett, Mel Torme, Nancy Wilson, Natalie Cole, Frank Sinatra, Jr., Jerry Lewis, Stan Getz, Gerry Mulligan, Lionel Hampton, Woody Herman, Dave Brubeck, Rance Allen, The Mills Brothers (all four), Anita O’Day, Barbara Eden, Sue Raney, and Peggy Lee, among others.

Mr. Beltran has recorded on film scores and appeared in film and television, including The Tonight Show with Jay Leno, the Jerry Lewis MDA Telethon, and The Merv Griffin Show in the U.S., and The Michael Parkinson Show and The Val Doonican Show in the U.K. His pit orchestra experience includes a national tour with the Joseph Papp Production of The Pirates of Penzance, and substitute-bass trombonist appearances with the Broadway smash-hit Cats at the Shubert Theater, as well as with numerous Guild Opera Company productions such as Donizetti’s The Elixir of Love, and Gilbert & Sullivan’s The Mikado for children from under-served communities in Los Angeles.

A more-than-capable classical artist as well, Peter has performed such demanding pieces as Igor Stravinsky’s The Rite of Spring, and Gustov Holtz’ The Planets with the Hidden Valley Festival Orchestraunder conductor Dr. Michael Zearott, in Carmel, CA, among others, and has concertized with various orchestras and brass ensembles throughout L.A.

Mr. Beltran has performed at such venerable venues as: Carnegie Hall, Radio City Music Hall, Avery Fisher Hall (now David Geffen Hall), and Madison Square Garden, in New York; the Ambassador Auditorium, Royce Hall, The Greek Theater, and Universal Amphitheater in Los Angeles; The Sands Hotel and Resort in Las Vegas; the Fox Theater in Atlanta; Places des Arts in Montreal, Quebec, Canada; the Vienna Opera House in Austria; Royal Festival Hall in London, England; State Theatre in Sydney, Queensland Performing Arts, Arts Center in Melbourne, Crown Theatre in Perth, and Adelaide Festival Centre in Australia; Santiago de Campostela Cathedral in Spain; and The Campo Pequeno Bullring and Stadium in Lisbon, Portugal, among many others.

Mr. Beltran has performed in such major jazz festivals in the U.S. and Europe as: the Nice Jazz Festival in Nice, France; the Belgium Rhythm ‘N’ Blues Festival in Peer, Belgium; the Blackpool International Jazz Festival in Blackpool, England; the “Jazz in Paradise” Cancun Jazz Festival in Mexico; the Playboy Jazz Festival at the Hollywood Bowl in Los Angeles; the Monterey Jazz Festival; the JVC Jazz Festival at Avery Fisher Hall in New York; the Chicago Jazz Festival at Navy Pier; Ravinia, and Meadowbrook Jazz Festivals in Illinois; and Wolf Trap in Vienna, VA, and many others. Pete has appeared in such iconic nightclubs as The Blue Note, and The Vanguard in New York; Ronnie Scott’s Jazz Club in London, England; the Great American Music Hall in San Francisco, CA; J.B. Scott’s in Albany, NY, and many others, and performed at high schools, colleges, and universities from coast-to-coast.

International Ambassador of Music

Mr. Beltran has performed in every state of the United States (except Hawaii), as concertized in Argentina, Australia, Austria, Belgium, Canada, Denmark, The Dominican Republic, England, France, Germany (including then West Germany), Greece, Ireland, Italy, Jamaica, Japan, Malaysia, Mexico, The Netherlands, Norway, The Philippines, Portugal, Russia, Scotland, Singapore, Spain, Sweden, Switzerland, Thailand, and Uruguay.

Over the years, I’ve had the honor of performing in some truly iconic spaces from Carnegie Hall and the Opera House in Vienna to Avery Fisher Hall (now David Geffen Hall) and Place des Arts in Montreal, to name but a few I’ve recorded at Capitol Studios in Hollywood and shared the stage with the Ray Charles Orchestra during a live performance in Moscow back in 1994.

Each venue holds a story, a rhythm, and a memory. You’ll find images from these moments including the Moscow Opera, Radio City Music Hall, and a close-up of me with the Ray Charles band—woven throughout this site as part of the journey.

Educational Background

Returning to school at California State University Los Angeles in 2017, where he was a member of both the Phi Kappa Phi, and Golden Key International Honor Societies, Peter was conferred the Bachelor of Arts degree in Music, graduating Magna Cum Laude, in 2021, and his Master of Arts degree in Music in 2024.

Contemporaries

The following is just a partial list of the many wonderfully-talented artists with whom I have had the privilege of performing:

Tenor Saxophone

Bob Cooper- R.I.P.; Pete Christlieb; Don Menza; Bob Mintzer (tenor & baritone); Steve Marcus (tenor, soprano & clarinet)- R.I.P.; Benny Maupin; Roger Neumann- R.I.P.; Dick Mitchell (tenor & soprano); Ray Hermann; Bill Perkins; Walt Weiskopf; Gary Pribek; Ken Hitchcock; Benny Maupin; Justo Almario; Dan Kaneyuki (woodwinds); John Stephens; Dave Posey; Gary Herbig; Pat Ingram; Larry Covelli; Jim Quam; Mel Kunkle; Ian Dahlberg; (woodwinds), and Tony Garcia.

Alto Saxophone 

Phil Woods- R.I.P., Lanny Morgan; Bob Militello (alto & soprano); Andy Fusco (alto & flute)- R.I.P.; Chuck Wilson; Charles Owens; Ray Reed; Kim Richmond (alto and woodwinds)- R.I.P.; Nicole McCabe (alto & flute); Mike Smith; Dave D’Angelo; Joe Romano; Ted Nash; Steve Elliot- R.I.P.; Anne Patterson; Jim Ercole (woodwinds), Adolfo “Fuzzy” Martinez.

Baritone Saxophone

Bob Efford (baritone & bass clarinet); David Urquidi (baritone & bass clarinet);  Keith Bishop (baritone & woodwinds; Bob Mintzer (baritone & woodwinds); Turso “Turk” Mauro; Glen Wilson; Greg Smith; James Farnsworth- R.I.P.; Jim Sharpe; Beverly Dahlke.

Trumpet

Brian Swartz; John Madrid- R.I.P.; Harry James- R.I.P.; Conti Condoli- R.I.P.; Carl Saunders- R.I.P.; Frank Szabo- R.I.P.; Dennis Farias- R.I.P.; Roger Ingram; Wayne Bergeron; Charles Turner; Sal Cracchiolo; Dave Stahl; Bob Coassin; Simo Salimenen; Greg Wing; John Thomas (1); John Thomas (2); Walt Johnson; Joe Davis- R.I.P.; John Harborough; Gary Halopoff- R.I.P.; Bob Summers; Oscar Brashear; Don Rader; Waymon Reed- R.I.P.; Ron Stout; Steve Huffstetter; Walt Fowler; John Marshall; Bob Doll; Clay Jenkins; Little Johnny Coles; Mike “Jack” McGovern- R.I.P.; Steve Lambert; John Harbaugh; Doug Clark; Ken Scharf; Chris Paisin; Dave Hoffman (trumpet, comp. & arr.); Larry Lunetta; Darrel Gardner; Scott Wright; Brian Mantz; Howie Shearer; Stacy Rowles; Dr. Bobby Rodriguez; Bobby Loya; Mike Mercado; Paul Lopez (trumpet, comp. & arr.)- R.I.P., Nick “Count” Buono; Mike Campagna; Mike Cordone; Landon Grigsby; Jason Colby; Michael Gutierrez; Nate Johnson.

Trombone

Jack Redmond; Scott Whitfield; Andy Martin; Rick Culver; Bob Enevoldsen (valve trombone)- R.I.P.; Charlie Loper; Jacques Voyemant; Ernie Carlson; Bob Payne; John Ervin; John Allred; Bob McChesney; Bruce Fowler; Al Kaplan; Eric Jorgensen; Garnet Brown; Bill Reichenbach (tenor & bass); Bob Sanders (bass)Jon Bonine; Craig Ware (tenor & bass); Dave Wells- R.I.P.; Tom Padveen- R.I.P.; Pete Enblom; Roger Homefield; Rick Stepton; Conrad Herwig; Sonny Russo; Sal Randazzo; Mike Henschell; Art Velasco; Steve Davis; Brian Matson; Alex Iles; Dave Beatty; Denny Brunke; Dan Weinstein; Erm Navarro; Paul Nelson; Fred Simmons; Jeremy Levy; Derek Pyle.

Tuba
Don Butterfield

French Horn
Ron Loofbarrow

Bass
Bruce Lett; James Hughart; Gene Shirico; Monty Budwig- R.I.P.; Dave Carpenter- R.I.P.; Mike Boone; Mike Flick; Erik Sittner.

Piano
Ray Charles- R.I.P., Alan Broadbent; Brad Cole; Vincente Falcone, Jr.; Quinn Johnson; Rich Eames; Bryan Velasco; Terry Trotter; Lee Musiker; Tommy Todd- R.I.P.; Eddie Cano- R.I.P.; Ernest Vantrease (piano & organ); Dr. Paul de Castro; Sam Garcia; Serge Kasimoff; Mark Balling; Woody Tavis.

Guitar
Andy Wadell; Alfred Viola; Tony Matola; Barry Zweig; Ron Eschete; Martin Shinn; Donn Cunnigham.

Drums
Buddy Rich- R.I.P.; Mel Lewis- R.I.P.; Harvey Mason; Harold Jones; Jeff Hamilton; Sonny Payne- R.I.P.; Irv Cotler- R.I.P., NDUGU- R.I.P.; Andy Sanesi; Paul Kreibich; Bob Fowler; Russ Henry; Angel Orozco.

Timbales
Alex Acuna; Ramon Banda

Congas/Bongo
MTUMBE; Arturo “Ture” Oliva; Reggie Roig (bongo).

Vocalists
Sandi Shoemake; Wendy Smith-Brune; Stephanie Caravella.

A special thanks to my music educators, especially:

Mr. Dennis Guillaume (classical alto & tenor sax and piano), who demonstrated by example how to really practice, and who one day in 7th grade band class played piano accompaniment for all willing to play “Nobody Knows the Troubles I See,” revealing to me for the first time as I played my clarinet how beautiful and moving soloing can be;

Mr. Charles Piper, who I first had as a beginning clarinet player in 4th grade summer school- the same, kind man who allowed me one morning in 9th grade as first chair clarinetist, to join the trombone section- and never look back.

Mr. R. Barry Ulrich (tenor sax & flute) who invited me as a newly-minted sophomore and trombonist with a school-loaned bass trombone at Montebello High School to join the stage band.

Finally, I’d like to thank my current jazz program director at Cal State LA, Dr. James Ford, for his intelligence, incredible depth-of-knowledge, love for us, his students, and especially for his dedication to those who lack what he refers to as “access to information.” I went and saw the Thad Jones Mel Lewis tribute band downtown recently and saw jazz tenor great Bob Mintzer, who I recorded a live album with Buddy Rich at Ronnie Scott’s Jazz Club in London in 1982, and heard for the first time the legendary bassist and bandleader John Clayton. When I introduced myself to him, and said I’m studying with Dr. Ford, he smiled and said, “You’re a lucky young man.” He’s right.